Download e-book for iPad: La folie qui vient des Nymphes by Roberto Calasso

By Roberto Calasso

ISBN-10: 2081292866

ISBN-13: 9782081292864

Avant de vouer un culte à l. a. raison, les Grecs se sont enthousiasmés pour los angeles thought de ownership. Lié aux affres de l. a. ardour, ce phénomène de « folie divine » revêt diverses formes et génère l. a. pensée même, los angeles poésie, los angeles divination.

Roberto Calasso se penche sur l’histoire secrète de cette idea, méprisée et attaquée par les Modernes. Il rappelle qu’elle doit son origine à l. a. determine de los angeles Nymphe, instigatrice de l. a. première ownership, los angeles ownership érotique, qui touche non seulement les hommes mais aussi les dieux. Il redonne du sens à ces êtres délicats et sibyllins, fascinants et terribles.

Dans cet essai d’une grande modernité, d’autres œuvres prosperous, recoupant le thème de l. a. ownership, parmi lesquelles Lolita de Vladimir Nabokov, Fenêtre sur cour d’Alfred Hitchcock, ou encore Gilda de Charles Vidor.

En couverture : Sir Peter Lely, Nymphes à los angeles fontaine, huile sur toile, vers 1650. © Dulwich photo Gallery, Londres, Royaume-Uni / The Bridgeman paintings Library

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Extra info for La folie qui vient des Nymphes

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In order to see the true and integral countenance of someone close to us, someone we apparently know very well—think how many masking layers must first be removed from his face, layers that were sedimented upon his face by our own fortuitous reactions and attitudes and by fortuitous life situations. The artist's struggle to achieve a determinate and stable image8 of the hero is to a considerable extent a struggle with himself. Insofar as this process conforms with psychological laws, it cannot be studied by us directly.

85n. 38. lames J. Lynch, The Language of the Heart: The Body's Response to Human Dialogue (New York: Basic Books, 1985), p. 49. 39. , p. 178. 40. Karl Marx and Frederick Engels, The German Ideology (Moscow: Progress Publishers, 1976), p. 42. 41. "Toward a Methodology of the Human Sciences/' Speech Genres, p. 167. 42. "From Notes Made in 1970-1971," in Speech Genres, p. 136. This page intentionally left blank Art and Answerability This page intentionally left blank ART AND ANSWERABILITY A whole is called "mechanical" when its constituent elements are united only in space and time by some external connection and are not imbued with the internal unity of meaning.

R. Titunik (New York: Academic Press, 1973). 30. : Harvard University Press, 1984), pp. 23, 79-81. A more extensive treatment has been provided by Nina Perlina: "Bakhtin and Buber: The Concept of Dialogic Discourse/7 Studies in Twentieth Century Literature 9 (1984): 13-28. 31. See especially Cohen's essays on the distinctiveness of the Hebrew concept of deity in Reason and Hope: Hermann Cohen's Jewish Writings, trans. Ewa Jospe (New York: Norton, 1971). 32. Martin Heidegger, Being and Time, trans.

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La folie qui vient des Nymphes by Roberto Calasso


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