By Michael Ferber
This is often the 1st dictionary of symbols to be in response to literature, instead of 'universal' mental archetypes or myths. It explains and illustrates the literary symbols that all of us often come across (such as swan, rose, moon, gold), and provides 1000s of cross-references and quotations. The dictionary concentrates on English literature, yet its entries variety largely from the Bible and classical authors to the 20th century, taking in American and ecu literatures. For this new version, Michael Ferber has incorporated over twenty thoroughly new entries (including endure, holly, sunflower and tower), and has further to a number of the present entries. Enlarged and enriched from the 1st version, its trained variety and wealthy references make this ebook a necessary software not just for literary and classical students, yet for all scholars of literature.
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Additional info for A Dictionary of Literary Symbols (2nd Edition)
In order to see the true and integral countenance of someone close to us, someone we apparently know very well—think how many masking layers must first be removed from his face, layers that were sedimented upon his face by our own fortuitous reactions and attitudes and by fortuitous life situations. The artist's struggle to achieve a determinate and stable image8 of the hero is to a considerable extent a struggle with himself. Insofar as this process conforms with psychological laws, it cannot be studied by us directly.
85n. 38. lames J. Lynch, The Language of the Heart: The Body's Response to Human Dialogue (New York: Basic Books, 1985), p. 49. 39. , p. 178. 40. Karl Marx and Frederick Engels, The German Ideology (Moscow: Progress Publishers, 1976), p. 42. 41. "Toward a Methodology of the Human Sciences/' Speech Genres, p. 167. 42. "From Notes Made in 1970-1971," in Speech Genres, p. 136. This page intentionally left blank Art and Answerability This page intentionally left blank ART AND ANSWERABILITY A whole is called "mechanical" when its constituent elements are united only in space and time by some external connection and are not imbued with the internal unity of meaning.
R. Titunik (New York: Academic Press, 1973). 30. : Harvard University Press, 1984), pp. 23, 79-81. A more extensive treatment has been provided by Nina Perlina: "Bakhtin and Buber: The Concept of Dialogic Discourse/7 Studies in Twentieth Century Literature 9 (1984): 13-28. 31. See especially Cohen's essays on the distinctiveness of the Hebrew concept of deity in Reason and Hope: Hermann Cohen's Jewish Writings, trans. Ewa Jospe (New York: Norton, 1971). 32. Martin Heidegger, Being and Time, trans.
A Dictionary of Literary Symbols (2nd Edition) by Michael Ferber